Stockton Book Donation

This summer, I was down at Stockton to have lunch with Tom Kinsella. On my way in, I stopped at the library to donate some books I had read in classes while a student from 2001-2006. I thought it was a neat idea and Stockton's librarians were very interested. I would like to do the same at Monmouth someday too when I am back up in that area.

Here is a list of the books I donated:

  • The first Electronic Literature Organization collection CD

  • Kindred by Octavia Butler (African American Literature)

  • The Orchid Thief by Susan Orlean (From Books To Movies)

  • Sexing The Cherry by Jeanette Winterson (Senior Seminar: Postmodernism)

  • Acid Free Bits by Nick Montfort

  • The Aspern Papers by Henry James (Readers, Writers, and Books)

  • The Life Of Pi by Yan Martel (Readers, Writers, and Books)

  • City Of Glass by Paul Auster (Senior Seminar: Postmodernism)

  • The Nietzsche Anthology (Moral Theories)

  • The Iliad (Homer)

  • New York Trilogy by Paul Auster (Senior Seminiar: Postmodernism)

  • Beloved by Toni Morrison (African American Literature)

  • The Odyssey (Homer)

  • Another Country by James Baldwin (African American Literature)

stocktonbooks.jpg

Books Read In 2012

  1. Being A Green Mother by Piers Anthony
  2. The Tent by Margaret Atwood
  3. New York Trilogy by Paul Auster
  4. Racing The Beam: The Atari Video Computer System by Ian Bogost and Nick Montfort
  5. Amulet by Roberto Bolano
  6. Lady Audley's Secret by Mary Elizabeth Braddon
  7. The Complete Cosmicomics by Italo Calvino
  8. The Invention of Morel by Adolfo Bioy Casares
  9. The Mind of Italo Calvino by Dan Cavallaro
  10. The Cambridge Companion to Kate Chopin
  11. Catching Fire by Suzanne Collins
  12. Mockingjay by Suzanne Collins
  13. Crossed by Ally Condie
  14. Noir by Robert Coover
  15. Down & Out In The Magic Kingdom by Cory Doctorow
  16. The Great Big Beautiful Tomorrow by Cory Doctorow
  17. The Last Professors: The Corporate University and the Fate of the Humanities by Frank Donoghue
  18. Football The First Hundred Years The Untold Story by Adrian Harvey
  19. My Mother Was A Computer: Digital Subjects & Literary Texts by N. Katherine Hayles
  20. The Map & The Territory by Michel Houllebecq
  21. Quests: Design, Theory, and History in Games and Narratives by Jeff Howard
  22. Hedda Gabler by Henrik Ibsen
  23. Fifty Shades Darker by E. L. James
  24. Fifty Shades Freed by E. L. James
  25. Fifty Shades of Grey by E. L. James
  26. The Life & Morals of Jesus of Nazareth by Thomas Jefferson
  27. Carmilla by Sheridan Le Fanu
  28. Hour of the Star by Clarice Lispector
  29. The Lost Books of The Odyssey by Zachary Mason
  30. Reality Is Broken: Why Games Make us Better and How they Can Change the World by Jane McGonigal
  31. Batman The Dark Knight Returns by Frank Miller
  32. Batman Year One by Frank Miller
  33. Those Guys Have All The Fun: Inside The World of ESPN by James Andrew Miller and Tom Shales
  34. Paradise Lost by John Milton
  35. Batman-The Killing Joke by Alan Moore
  36. V For Vendetta by Alan Moore
  37. The Watchmen by Alan Moore
  38. Speak Memory by Vladimir Nabakov
  39. King Lear by William Shakespeare
  40. Authors In Context: Virginia Woolf by Michael Whitworth
  41. The Uncoupling by Meg Wolitzer
  42. The Quran (Sher Ali Holy translation)
  43. Sir Gawain & The Green Knight
  44. The Tel Quel Reader

End Of Semester Roundup

Prof Hacker’s end of semester checklist post suggested writing some sort of “End of the Semester Roundup” post so I thought I would write one up. This semester was one of great advancements for me. I taught my first college level courses and had a great time doing so. Originally, my schedule involved teaching two sections of Composition I but during the first week of the semester I ended up adding a section of Composition II as well.

Comp I was a lot of work, but well worth it. I saw a lot of advancement in my student’s work as the semester went on. I also saw a lot if disappointing efforts from others. Teaching writing and grammar also allowed me to sharpen my own skills and talk about some of the adventures I have had over the years as a student and academic. Check out the class weblog for more information.

Composition II was a great joy to teach. I got to teach a lot of my favourite canonical authors like Chopin, Gilman, and Ibsen. An unconscious theme of discussing gender and women’s liberation became a focus of our close readings as the semester advanced through short stories to plays (A Doll House, Othello) and then to poets like Plath and Dickinson. Immediately, a handful of students stood apart from the rest of the class but I also saw many others slowly begin to contribute more and more as they became more comfortable with their own close reading skills. My focus in class was on what my students wanted to discuss. Of course, I would bring lecture notes with ideas I wanted to highlight. However, after our daily, randomly selected, journal readers I would ask the class where they wanted to begin, what they wanted to discuss, and that is where we would start. I could talk for hours about most of the texts we read, but I am more concerned with what my students wish to discuss.

One student in particular started the semester off very slowly only to eventually be the first to raise their hand almost every class. Another only contributed on Fridays, somehow, but always blew our minds with their ideas. Almost every student in class had a day where they stood out and shone brighter than anyone else.

The week of my classroom observation by Dr. Alexander coincided with my favorite week of the semester: the week we discussed (post)modern authors like Borges, Coover, and Auster. I was very impressed with my students and their ability to tackle these difficult texts. I can’t wait to teach 102 again and hope I get a chance to pick up a section in the spring. Check out our course weblog.

This semester I ran our course weblogs on WordPress and am thrilled with the results. I have run WP on a number of websites, including this one, for the past four years and couldn’t be happier with the results. In the spring I think I am going to try the dreaded Blackboard for my classes. As an offsite alternative, I believe I am going to wade my toes into the world of Drupal as well. I am going to spend some time over break considering my options.

I also guest lectured for two classes in Dr. McCadden’s upper level class ENG203 The Origins of Literature. I presented two lectures: “Telemachus & The Search For the Ideal Son in Classical Greek Literature” and “The Odyssey & Nonlinear Reading.”

Another project I am going to finish over break is the long-awaited draft of my article on Shelley Jackson for The Quarterly Conversation. I was supposed to have this completed for the winter issue, but the hectic nature of the fall semester got in the way. Veronica Esposito was gracious enough to give me an extension. I’m hoping to have something to him early in the new year.

I have a handful of journal article proposals that I need to send over break as well. A few of them are spinoff projects from my MA thesis and others are ideas that I have brewed for a period of time. Hopefully some of them will be publishable.

in the spring, currently, I am teaching two sections of Comp I. One is MWF, the other TT. This isn’t the most ideal schedule, but hopefully I will pick another Comp I, a Comp II, or another class. I am very happy to have a few weeks off to get some of my work done and prep for the spring. However, I am also excited to get back to Burlington and begin teaching again.

 

Auster

In November Paul Auster wrote a wonderful piece about writing for Guardian Unlimited:

I don’t know why I do what I do. If I did know, I probably wouldn’t feel the need to do it. All I can say, and I say it with utmost certainty, is that I have felt this need since my earliest adolescence. I’m talking about writing, in particular, writing as a vehicle to tell stories, imaginary stories that have never taken place in what we call the real world. Surely it is an odd way to spend your life - sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper in order to give birth to what does not exist - except in your head. Why on earth would anyone want to do such a thing? The only answer I have ever been able to come up with is: because you have to, because you have no choice.