Books Read In 2012

  1. Being A Green Mother by Piers Anthony
  2. The Tent by Margaret Atwood
  3. New York Trilogy by Paul Auster
  4. Racing The Beam: The Atari Video Computer System by Ian Bogost and Nick Montfort
  5. Amulet by Roberto Bolano
  6. Lady Audley's Secret by Mary Elizabeth Braddon
  7. The Complete Cosmicomics by Italo Calvino
  8. The Invention of Morel by Adolfo Bioy Casares
  9. The Mind of Italo Calvino by Dan Cavallaro
  10. The Cambridge Companion to Kate Chopin
  11. Catching Fire by Suzanne Collins
  12. Mockingjay by Suzanne Collins
  13. Crossed by Ally Condie
  14. Noir by Robert Coover
  15. Down & Out In The Magic Kingdom by Cory Doctorow
  16. The Great Big Beautiful Tomorrow by Cory Doctorow
  17. The Last Professors: The Corporate University and the Fate of the Humanities by Frank Donoghue
  18. Football The First Hundred Years The Untold Story by Adrian Harvey
  19. My Mother Was A Computer: Digital Subjects & Literary Texts by N. Katherine Hayles
  20. The Map & The Territory by Michel Houllebecq
  21. Quests: Design, Theory, and History in Games and Narratives by Jeff Howard
  22. Hedda Gabler by Henrik Ibsen
  23. Fifty Shades Darker by E. L. James
  24. Fifty Shades Freed by E. L. James
  25. Fifty Shades of Grey by E. L. James
  26. The Life & Morals of Jesus of Nazareth by Thomas Jefferson
  27. Carmilla by Sheridan Le Fanu
  28. Hour of the Star by Clarice Lispector
  29. The Lost Books of The Odyssey by Zachary Mason
  30. Reality Is Broken: Why Games Make us Better and How they Can Change the World by Jane McGonigal
  31. Batman The Dark Knight Returns by Frank Miller
  32. Batman Year One by Frank Miller
  33. Those Guys Have All The Fun: Inside The World of ESPN by James Andrew Miller and Tom Shales
  34. Paradise Lost by John Milton
  35. Batman-The Killing Joke by Alan Moore
  36. V For Vendetta by Alan Moore
  37. The Watchmen by Alan Moore
  38. Speak Memory by Vladimir Nabakov
  39. King Lear by William Shakespeare
  40. Authors In Context: Virginia Woolf by Michael Whitworth
  41. The Uncoupling by Meg Wolitzer
  42. The Quran (Sher Ali Holy translation)
  43. Sir Gawain & The Green Knight
  44. The Tel Quel Reader

End Of Semester Roundup

Prof Hacker’s end of semester checklist post suggested writing some sort of “End of the Semester Roundup” post so I thought I would write one up. This semester was one of great advancements for me. I taught my first college level courses and had a great time doing so. Originally, my schedule involved teaching two sections of Composition I but during the first week of the semester I ended up adding a section of Composition II as well.

Comp I was a lot of work, but well worth it. I saw a lot of advancement in my student’s work as the semester went on. I also saw a lot if disappointing efforts from others. Teaching writing and grammar also allowed me to sharpen my own skills and talk about some of the adventures I have had over the years as a student and academic. Check out the class weblog for more information.

Composition II was a great joy to teach. I got to teach a lot of my favourite canonical authors like Chopin, Gilman, and Ibsen. An unconscious theme of discussing gender and women’s liberation became a focus of our close readings as the semester advanced through short stories to plays (A Doll House, Othello) and then to poets like Plath and Dickinson. Immediately, a handful of students stood apart from the rest of the class but I also saw many others slowly begin to contribute more and more as they became more comfortable with their own close reading skills. My focus in class was on what my students wanted to discuss. Of course, I would bring lecture notes with ideas I wanted to highlight. However, after our daily, randomly selected, journal readers I would ask the class where they wanted to begin, what they wanted to discuss, and that is where we would start. I could talk for hours about most of the texts we read, but I am more concerned with what my students wish to discuss.

One student in particular started the semester off very slowly only to eventually be the first to raise their hand almost every class. Another only contributed on Fridays, somehow, but always blew our minds with their ideas. Almost every student in class had a day where they stood out and shone brighter than anyone else.

The week of my classroom observation by Dr. Alexander coincided with my favorite week of the semester: the week we discussed (post)modern authors like Borges, Coover, and Auster. I was very impressed with my students and their ability to tackle these difficult texts. I can’t wait to teach 102 again and hope I get a chance to pick up a section in the spring. Check out our course weblog.

This semester I ran our course weblogs on WordPress and am thrilled with the results. I have run WP on a number of websites, including this one, for the past four years and couldn’t be happier with the results. In the spring I think I am going to try the dreaded Blackboard for my classes. As an offsite alternative, I believe I am going to wade my toes into the world of Drupal as well. I am going to spend some time over break considering my options.

I also guest lectured for two classes in Dr. McCadden’s upper level class ENG203 The Origins of Literature. I presented two lectures: “Telemachus & The Search For the Ideal Son in Classical Greek Literature” and “The Odyssey & Nonlinear Reading.”

Another project I am going to finish over break is the long-awaited draft of my article on Shelley Jackson for The Quarterly Conversation. I was supposed to have this completed for the winter issue, but the hectic nature of the fall semester got in the way. Veronica Esposito was gracious enough to give me an extension. I’m hoping to have something to him early in the new year.

I have a handful of journal article proposals that I need to send over break as well. A few of them are spinoff projects from my MA thesis and others are ideas that I have brewed for a period of time. Hopefully some of them will be publishable.

in the spring, currently, I am teaching two sections of Comp I. One is MWF, the other TT. This isn’t the most ideal schedule, but hopefully I will pick another Comp I, a Comp II, or another class. I am very happy to have a few weeks off to get some of my work done and prep for the spring. However, I am also excited to get back to Burlington and begin teaching again.

 

My Digital Humanities Origin

In its original draft, this was part of the introduction to my MA thesis.  After some discussion, I ended up pulling this out to keep my thesis more focused on the matters at hand.  I really like what I wrote here so I decided to excerpt it on my domain for my readers.  I wrote this right around this time last year.

Everything I found in electronic literature upon discovery, the intellectual aesthetic and interplay with computers, which had been my cherished companion since childhood, I had been looking, searching, for in my literary studies.  As a child I had played some text adventures, known as interactive fiction, and certainly remember their printed cousins the Choose Your Own Adventure book. I loved how interactive those books were and the agency which readers were given to decide their own fate and reading path.  Growing up, I had a lot of problems with motor development and coordination.  This led to many other problems including very poor penmanship. A wise teacher, when I was in elementary school, suggested my parents buy me a computer. She claimed that I would end up ahead of the curve because personal computers were going to takeover classrooms before I left for college. Wisely, my parents took her advice and purchased an Apple II for me to do my school work on and, because I did not play well with other children, to have an outlet for play and creativity.

Long before I became an avid reader in my teens, my creativity came almost exclusively from computers. Game designer Jane McGonigal’s recent weblog post about her experience creating detailed narratives out of Apple II games that did not already have them like Summer Games brought back memories from my own childhood. I had a similar experience at almost the same time by creating forms in a word processing program with different countries and names. I created brief backgrounds for each character and had them compete against each other on screen. Scandal, same gender romance, athletic achievement, and other intrigues played out in this interpretation of my gaming experience. I would not call that literature, obviously, but I tell this story to show how my creativity was electronically nourished before I embraced print culture later in my teens.

I have been on the Internet since sometime in early 1995. Immediately I became involved with participatory online culture by writing fan fiction, posting to newsgroups and listservs, chatting on Internet Relay Chat (IRC) and, on and off, creating journals which nowadays would be called a weblog. At the same time, I published print based punk rock fanzines periodically until 2005 when I began Signifying Nothing, a webzine, archive of my earlier fanzines, and podcast devoted to my endeavors in hardcore punk which continue to this day.

My interest in electronic literature came to fruition while taking a senior seminar on postmodernism with Scott Rettberg in the spring of 2004. While being turned onto writers like Italo Calvino, John Barth, Jorge Luis Borges, and theorists like George Landow, Roland Barthes, and Julia Kristeva I realized that not only were these fiction writers exactly what I had longed for all of my life from literature, but the bridge between literary theory I fell in love with from Kristeva and Barthes, which I had struggled with until this time, and computers which Landow and others like Rettberg himself bridged via their theories was a dream come true. The beginning years of my college career were filled with frustration, failure, and difficulty. The first step of my recovery came when I embraced electronic literature.

Reading hypertext fiction and the theories of Barthes and Kristeva in Rettberg’s seminar improved my readings of previously read authors like Faulkner, Woolf, and Wallace. I began researching electronic literature and exploring the links on Rettberg’s weblog. Through these links I was able to explore the work of other hypertext and New Media theorists like Nick Montfort, Angela Thomas, and Jill Walker. I experimented with and clicked through Rettberg’s hypertext novel, The Unknown, and began actively participating in the sticker novel he authored with Montfort. As the semester wound down, two classmates and myself began our own weblogs, inspired with Rettberg and Walker especially, and I moved mine to its own domain later that summer.

Since the rise of the novel the past few centuries have had some hypertextesque works of literature. Novels like Tristram Shandy, Infinite Jest, and Ulysses can seem to those familiar with the workings of electronic literature to have qualities which “stand out for the first time.” (Landow 1982) When I read Sterne’s novel in an undergraduate course on the history of the novel, I came in one morning and remarked to my professor that the novel had a lot of the qualities of hypertext fiction which I was learning about in Rettberg’s seminar on postmodernism the same semester. Without knowledge of electronic literature I would have never made the connection, which made my reading of Sterne’s novel much more pleasurable. Experimental works of literature like Pavic’s Dictinary Of The Khazars and Nabakov’s Pale Fire also exude qualities which are emphasized by an understanding and familiarity with hypertext and electronic literature.

As Janet Murray argues in Hamlet On The Holodeck: The Future Of Narrative In Cyberspace, “the impending dissolution of Yugoslavia,” in Dictinary Of The Khazars, “is preconfigured by the fragmentary account of a mythical lost tribe” of three separate, conflicting, dictionaries (Murray 37). The “multicursally” seen in Pale Fire has been seen as a branch between not only modernism and postmodernism but as a text that has hypertextesque qualities (Aarseth 8). Writers like Robert Coover, a longtime advocate of electronic literature, Borges, and other postmodernists from France and South America also write literature which embodies many aspects of hypertext fiction.

Robert Coover Links

My friend Bucky commented on here recently asking what I thought about Robert Coover.  After replying to him, I decided it might be a good idea to link to some supplemental information about Coover:

  • Bucky and I were discussing The Public Burning, which I absolutely love.  Coover really nails the voices of Nixon and the Rosenbergs.  This novel has been very influential on my own writing.
  • A few months ago Coover gave a reading at the Kelly Writers House in Philadelphia.  They have mp3s uploaded of his reading and a question/answer session.
  • Here is the video of Coover’s keynote from the Electronic Literature In Europe conference from last fall.