- The Terror Factory: Inside the FBI's Manufactured War on Terrorism by Trevor Aaronson
- Sir Gawain and the Green Knight by Unknown, Simon Armitage (Translator)
- Transformers: Robots in Disguise, Volume 1 by John Barber
- Transformers: Robots in Disguise, Volume 2 by John Barber
- Transformers: Robots in Disguise, Volume 3 by John Barber
- Transformers: Robots in Disguise, Volume 4 by John Barber
- Transformers: Robots In Disguise Volume 5 by John Barber
- Transformers: Robots in Disguise Volume 6 by John Barber
- Arthur Miller's Death of a Salesman by Harold Bloom
- The Black Elfstone (The Fall of Shannara, #1) by Terry Brooks
- Enter Naomi: SST, L.A. and All That... by Joe Carducci
- The Nonexistent Knight by Italo Calvino
- The Awakening and Selected Stories by Kate Chopin
- 24/7: Late Capitalism and the Ends of Sleep by Jonathan Crary
- Why I Am Not a Feminist: A Feminist Manifesto by Jessa Crispin
- Captain Marvel (Marvel NOW!) #1 by Kelly Sue DeConnick
- The Man in the High Castle by Philip K. Dick
- Daniel Deronda by George Eliot
- Star Trek: Harlan Ellison's The City on the Edge of Forever: The Original Teleplay by Harlan Ellison
- The Communist Manifesto: A Modern Edition by Friedrich Engels
- Farber on Film: The Complete Film Writings by Manny Farber
- Essays, Speeches & Public Letters by William Faulkner
- The 4-Hour Chef: The Simple Path to Cooking Like a Pro, Learning Anything, and Living the Good Life by Tim Ferriss
- When Prophecy Fails: A Social and Psychological Study of a Modern Group that Predicted the Destruction of the World by Leon Festinger
- Clinton in Haiti: The 1994 US Invasion of Haiti by Philippe Girard
- Burning Britain: The History of UK Punk 1980-1984 by Ian Glasper
- The Sorrows of Young Werther by Johann Wolfgang von Goethe
- A Philosophy of Tragedy by Christopher Hamilton
- Console Wars: Sega, Nintendo, and the Battle that Defined a Generation by Blake J. Harris
- A People's History of the French Revolution by Eric Hazan
- Film After Film: (Or, What Became of 21st Century Cinema?) by J. Hoberman
- Going Down Jericho Road: The Memphis Strike, Martin Luther King's Last Campaign by Michael K. Honey
- Reel to Real: Race, Sex, and Class at the Movies by bell hooks
- An Enemy of the People by Henrik Ibsen
- We Have Always Lived in the Castle by Shirley Jackson
- Perpetual Peace and Other Essays by Immanuel Kant
- The Future is Queer: A Science Fiction Anthology by Richard Labonté
- Engaging the Past: Mass Culture and the Production of Historical Knowledge by Alison Landsberg
- The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories by Nella Larsen
- Wellsprings by Mario Vargas Llosa
- Identity Crisis by Brad Meltzer
- My Damage: The Story of a Punk Rock Survivor by Keith Morris
- Choosing Death: The Improbable History of Death Metal and Grindcore by Albert Mudrian
- A Year at the Movies: One Man's Filmgoing Odyssey by Kevin Murphy
- Kill All Normies: Online Culture Wars from 4chan and Tumblr to Trump and the Alt-Right by Angela Nagle
- Employee of the Month and Other Big Deals by Mary Jo Pehl
- Visual Storytellling: An Illustrated Reader by Todd James Pierce
- Why Be Something That You're Not: Detroit Hardcore 1979-1985 by Tony Rettman
- Clarissa, or, the History of a Young Lady by Samuel Richardson
- Green Gone Wrong: How Our Economy Is Undermining the Environmental Revolution by Heather Rogers
- Get In The Van: On The Road With Black Flag (Second Edition) by Henry Rollins
- American Isis: The Life and Art of Sylvia Plath by Carl Rollyson
- Lazarus, Vol. 1: Family by Greg Rucka
- Der Mond: The Art of Neon Genesis Evangelion by Yoshiyuki Sadamoto
- Settlers: The Mythology of the White Proletariat by J. Sakai
- A New Companion to Digital Humanities by Susan Schreibman
- The Family: The Secret Fundamentalism at the Heart of American Power by Jeff Sharlet
- Change Agent by Daniel Suarez
- Letters from the Earth: Uncensored Writings by Mark Twain
- Saga, Vol. 1 (Saga, #1) by Brian K. Vaughan
- Saga, Vol. 2 (Saga, #2) by Brian K. Vaughan
- A Brief History of Portable Literature by Enrique Vila-Matas
- Dublinesque by Enrique Vila-Matas
- Ms. Marvel, Vol. 1: No Normal by G. Willow Wilson
- Ms. Marvel, Vol. 2: Generation Why by G. Willow Wilson
- The History of the Renaissance World: From the Rediscovery of Aristotle to the Conquest of Constantinople by Susan Wise Bauer
- How Fiction Works by James Wood
- No Slam Dancing, No Stage Diving, No Spikes: An Oral History of the Legendary City Gardens by Amy Yates Wuelfing
- What's My Name, Fool? Sports and Resistance in the United States by Dave Zirin
Weekly Reader
Ready Steady Book interviews the always interesting Melinda Gebbie.
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The New York Times reviews the new biography of Leonard Woolf.
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Laurie Halse Anderson, author of the excellent young adult book Speak, has her own blog.
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National Public Radio discusses “wikinomics.”
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Simon Armitage discusses his new translation of Sir Gawain & The Green Knight over at The Guardian:
The poem is also a ghost story, a thriller, a romance, an adventure story and a morality tale. For want of a better word, it is also a myth, and like all great myths of the past its meanings seem to have adapted and evolved, proving itself eerily relevant 600 years later. As one example, certain aspects of Gawain’s situation seem oddly redolent of a more contemporary predicament, namely our complex and delicate relationship with the natural world. The Gawain poet had never heard of climate change and was not a prophet anticipating the onset of global warming. But medieval society lived hand in hand with nature, and nature was as much an enemy as a friend. It is not just for decoration that the poem includes passages relating to the turning of the seasons, or detailed accounts of the landscape, or graphic descriptions of our dealings with the animal kingdom. The knight who throws down the challenge at Camelot is both ghostly and real. Supernatural, yes, but also flesh and blood. He is something in the likeness of ourselves, and he is not purple or orange or blue with yellow stripes. Gawain must negotiate a deal with a man who wears the colours of the leaves and the fields. He must strike an honest bargain with this manifestation of nature, and his future depends on it.