Episode 72: Cyber Lip

I never played Cyber Lip back in the old days, but I remember seeing it in magazines. Join me, won't you, and take a look at this very odd side scroller.

Instead of a Patreon, consider donating to our Extra Life charity drive. We are raising money for Children’s Hospital of Philadelphia. We raised $335 in 2019. So far in 2020 we have raised $163.

On Thursday nights around 7pm I stream old and new games until around 9pm. Check out my Twitch page for more information and a tentative schedule.

We are also on Apple PodcastsGoogle Play, and Stitcher. You can also download episodes from the Internet Archive.

You can view our game ranking list here.

Show Links...

I never played Cyber Lip back in the old days, but I remember seeing it in magazines. Join me, won't you, and take a look at this very odd side scroller. Instead of a Patreon, consider donating to our Extra Life charity drive. We are raising money for Children's Hospital of Philadelphia.

Weekly Reader

In the late sixties and early seventies, before she was known as an author, Morrison was a Random House trade editor who almost singlehandedly introduced black radical activists to mainstream American readers. No single editor or major publishing house has surpassed Morrison’s contribution in the intervening four decades. Cofounder of the Black Panther Party Huey P. Newton (To Die for the People, 1972); prison activist and Black Panther field marshal George Jackson (Blood in My Eye, 1971); and Angela Davis (Angela Davis: An Autobiography, 1974) were all published by Morrison at Random House. Morrison did not necessarily embrace these ideologies, but believed it was invaluable that they circulate in the marketplace of ideas—despite their demonization by the U.S. government.

Booker, as a Black politician, is obliged to perform hope for America’s future even as its legacy of racialization and oppression is being brought to bear on him. He has to recognize that he’s being fundamentally devalued by the institution he has invested in (which, indeed, has a long legacy of such devaluing as part of its role in maintaining racial hierarchy). His rhetorical negotiation of the tension between his power as a Senator and his power as a Black man marks his saturation point. He has to stand up and defend a racial justice bill with the entire force of his history as a Black man against the bureaucratic “neutrality” of a procedural argument. It clearly pains him to do so, and the institution eats that pain without any regard for him as a person or his well-being. And the next time it comes up for a vote, he’ll have to do it again.

Riley was also most generous, as generous, with people who didn’t have anything traditionally productive going on, who wanted to be in the mix and hang out or make time; no one needed to justify their existence to be close to him, they were accepted as people… he pulled them close, not what they did, and he would be very cool to them…. it’s nice to see that kind of acceptance. He would also bring massively successful people into the mix as just another friend, or transpose them from one milieu to another… “this is my friend who happens to just churn out comics for a living… that’s how she pays her rent… this fool here makes movies… you guys would totally get along and you have to meet them…” and so we did… and they would be along for the ride or off to the sideline or taking part in some back room somewhere or hearing some story about pissing on a statue in Europe, everyone in the circle as if they had been in the mix with him since he was young in Denton… and that would be a trip for them too.

Weekly Reader

If workers already must contend with employers’ obvious privacy intrusions — including keyloggers, periodic browser history checks, and access to email inboxes — how quickly will their spying within our home workplaces be normalized? Will we gladly take an expensive, ergonomic chair that also tells your far-away boss when you are not at your desk? Will all your smart home devices — the smart refrigerator, the Ring doorbell, or your Alexa — keep track of not only your own work but the relationship between workers? Through facial recognition attached to the camera outside your front door, the voice recognition in, your Alexa, and the MDM software on your devices, your boss would know everything about who was at the organizing meeting you hosted at your house. Then they will fire you on the premise that your smart fridge colluded with your bank to tell your insurance company that all that fast food and beer is putting you at risk for diabetes and they marked you as a future cost liability.

It’s hard when someone you like, someone you think is a good man or woman, is accused of rape. Our first instinct is to not believe it. That’s normal. But when the evidence starts to pile up, when multiple witnesses come forward, as is the case with Tara Reade, saying she told them decades ago about how Joe Biden raped her, it gets harder to not believe it. When Tara’s mother’s voice crosses space and time to ask Larry King in 1993 about a serious problem her daughter was having with a prominent senator, it’s even harder. That’s where rape culture comes in. It gives us an out. Like the mother who said her daughter’s rapist was a “good man”. It makes it easier to move through this world thinking men we like don’t rape, thinking victims are liars. He’s a good man, something must be wrong with her.

Moreover, Rutgers is embedded in three cities that are primarily comprised of working-class populations of color: Newark, New Brunswick, and Camden. Rutgers continually pays lip service to its commitment to those communities. In our vision, by contrast, the university should have a much larger commitment to communities where the university resides. People who live in these cities send their children to Rutgers, or are working at Rutgers, or have a partner working at Rutgers. We envision a university that supports their development with their voices at the center. This entails a very different university—one that values our amazing dining staff, adjunct faculty, groundskeepers, and building staff. We imagine a university that includes and hears everyone’s voices and prioritizes the core missions of the institution: teaching, research, and service, particularly service to the communities in which we are located.

It was these unique conditions which gave birth to an Irish movement whose “distinguishing character,” Marx claimed, was “socialist, lower-class,” “republican” in the universalist sense of the term, and non-sectarian And whereas he and Engels previously thought “it would be possible to overthrow the Irish regime by English working class ascendancy… Deeper study has now convinced me of the opposite. The English working class will never accomplish anything before it has got rid of Ireland. The lever must be applied in Ireland. That is why the Irish question is so important for the social movement in general.”

Episode 71: Game Rankings Volume Two

In our second game rankings episode, we discuss and then rank Castlevania: Dracula X, Sim City, Final Fantasy V, Zelda II, and Castlevania II.

Instead of a Patreon, consider donating to our Extra Life charity drive. We are raising money for Children’s Hospital of Philadelphia. We raised $335 in 2019. So far in 2020 we have raised $130.

On Thursday nights around 7pm I stream old and new games until around 9pm. Check out my Twitch page for more information and a tentative schedule.

We are also on Apple PodcastsGoogle Play, and Stitcher. You can also download episodes from the Internet Archive.

You can view our game ranking list here.

In our second game rankings episode, we discuss and then rank Castlevania: Dracula X, Sim City, Final Fantasy V, Zelda II, and Castlevania II. Instead of a Patreon, consider donating to our Extra Life charity drive. We are raising money for Children's Hospital of Philadelphia. We raised $335 in 2019.

Episode 70: Castlevania Symphony Of The Night

One of the best games ever and we are finally covering it! Join me, won't you, to discuss why I didn't like SoTN when it came out and how I see it now as one of video gaming's true masterpieces.

Instead of a Patreon, consider donating to our Extra Life charity drive. We are raising money for Children’s Hospital of Philadelphia. We raised $335 in 2019. So far in 2020 we have raised $105.

On Thursday nights around 7pm I stream old and new games until around 9pm. Check out my Twitch page for more information and a tentative schedule.

We are also on Apple PodcastsGoogle Play, and Stitcher. You can also download episodes from the Internet Archive.

You can view our game ranking list here.

Show Links

One of the best games ever and we are finally covering it! Join me, won't you, to discuss why I didn't like SoTN when it came out and how I see it now as one of video gaming's true masterpieces. Instead of a Patreon, consider donating to our Extra Life charity drive.

Weekly Reader

MH: Yeah, the Crass covers were, and still are, very powerful. Both the music and artwork of Crass were uncompromising and definitely had a huge influence on what I call the second wave of UK punk, from the '80s, Discharge being a big part of that. A lot of the original punk bands had become mainstream (The Clash), split or evolved into bands fueling the newly emerging Goth subculture, and playing big venues, so there wasn't a lot around for younger punks to get involved with.

Historically the best anti-war imagery in my view was from John Heartfield (1891 -1968). He was a German artist who back in the day was probably amongst the first to use of art as a political weapon. Some of his most famous photomontages were anti-Nazi and anti-fascist. Calvin almost exclusively used his artwork on subsequent singles and albums. I think it is important that people are aware of that, as I have read in in a few articles that they think that Calvin made the artwork himself. (After I did the single covers for Discharge, I taught Calvin Morris how to prepare artwork for printing, at the printmaking studio at my college)

Grisly exposés are as old as the meat industry itself, but Blanchette is not interested in scandal. The genre implies that the meat industry is a secretive outlier or that it can be redeemed through liberal reform. Books in this mode tend to steer between industrial horror and vegan asceticism to arrive at the safe harbor of the small farm, yet here too Blanchette departs from the norm. He does not believe that bucolic romanticism has anything to offer us now, an insight that was plain a century ago to the political economist Thorstein Veblen. Veblen ridiculed “the Independent Farmer of the poets” as a “holdover” from an “obsolete past” and predicted his doom “under the dominion of absentee ownership in its later developed phase.” Veblen also stressed that “the case of the American farmer is conspicuous; though it can scarcely be called singular.” In similar fashion, Blanchette recognizes that the meat industry isn’t a macabre exception but rather is typical of contemporary capitalism, even if its extremes make contemporary tendencies more readily apparent. Like the bodies of the pigs it has engineered, the meat business has become a vast, fragile beast teetering on the brink of ecological and financial ruin.

The last four years have been a period of numbingly rapid change in our politics, a critical juncture containing the seeds of many different potential future paths. That rapid change has built on a much deeper structural foundation rooted in everything from demographic turnover and shifts in partisanship to full-on breakdowns of the formal and informal institutions that make up our political system. This adds up to a full-blown legitimacy crisis for the system as a whole. It’s a great deal to take in, even if we choose to put aside the raging pandemic for the moment and concentrate on the purely political. We won’t be able to grasp the full implications of everything that’s happened for years and even decades to come.